The Hummingbird

Sometimes referred to as ‘The Death of Plants’, the Hummingbird devours all the moisture from any plant it touches, leaving nothing but a dry dead husk.

Shane S

FjordOak the restless

FjordOak had relished his freedom as a Walker, but the end drew near.  Once his life bud bloomed, his inner light would fade and he would be bound to the soil once again, to stand guard as a silent sentinal of the Ringwood until the end of days.

Shane S

Happy Rex-mas!

Apologies for the terrible pun.

Once I unknowingly ate reindeer and it's actually pretty good.

Have a good one!


Shane S

Blue Nose Christmas

Image and characters property of Carte Blanche Greetings Ltd

Merry Christmas!  Here's an advent calendar design that's available now on all good high streets.  Probably a bit late to buy it now though.

I'll post a not-so-cute Christmas image tomorrow :)

Shane S

Maddie

Maddie didn’t have many friends at school.  She creeped the other kids out, maybe it was the way she stared.  Luckily for them she had her Father’s eyes.

Shane S

Bogborn the Distracted

After a day slacking off down the brimstone mines, Bogborn the Distracted likes nothing more than to relax with a bargain bucket of fried human.

Shane S

Blue Nose Friends Character designs

Images and characters property of Carte Blanche Greetings Ltd

A few of my favourite recent character designs for My Blue Nose Friends, now available in plushie form in all good retailers.

Shane S

Happy Halloween!

Halloween seems to be getting bigger every year here in the UK, so I thought I'd get involved for a change and discovered that pumpkin carving is much harder than it looks;

Monsters Inc's Mike carved pumpkin;

Plus a figurine I designed a few years ago - it's bones glow in the dark!;

 

 Shane S

A room with a view...

This is the opening shot of a five minute limited animation that I storyboarded and produced the assets for.  The animation itself was handled by the talented fellows over at Gizmo Animation and features Tatty Teddy and his Blue Nose Friends enjoying a day out in the park.

Image property of Carte Blanche Greetings Ltd

Had fun with the lighting on this one, and it's always nice to work on some environments.

Here's the full short for your viewing pleasure;

 

Shane S

Tatty Teddy Bathtime

Another puzzle image for Ravensberger, this time featuring some extra characters.  Had a lot of fun with the lighting on this one.

Image and characters property of Carte Blanche Greetings Ltd

You can buy the 1000 piece puzzle on Amazon right now!

Shane S

First book cover!

My first book cover!

Featuring Tatty Teddy and his Blue Nose Friends, this was painted for the first 'My Blue Nose Friends' book (that also came with a mug featuring the same image).  This was also the first time that these characters were rendered with more realistic lighting, marking a slight progression of the style that is still evolving today.

Image and characters property of Carte Blanche Greetings Ltd

Shane S

Tatty Teddy bedtime

Another puzzle image from early last year.

Again I went for the digital watercolour over pencil sketch but also experimented a bit with gradient maps, which are super useful once you get your head around them.

Image and characters property of Carte Blanche Greetings Ltd

You can buy the 500 piece puzzle from here.

Shane S

Tatty Teddy seaside scene

I thought it was about time I posted some of the work that I've done for Carte Blanche Greetings over the last four years.  I'm not going to go back too far though, this piece was painted at the beginning of 2010 to be used on a jigsaw puzzle.  The paint is actually digital over a pencil sketch, so I was pretty pleased that most people thought it was genuine watercolour.

I now work almost exclusively on My Blue Nose Friends so I don't get to draw the little grey bear very often.

Image and characters are property of Carte Blanche Greetings Ltd

This puzzle is still available to buy from Amazon.

Shane S

Simon's Cat (sort of in real life)

So now I'm finally settling into Fatherhood I actually have some time to scratch the good old artistic itch again.

One of my favourite things to do is to interpret existing characters in a different style, (check out my Toy Story little green man and Guyver paintings for other examples) so I thought I'd have a go at painting Simon's Cat as he might appear in CG animated form.

He looked strange with white eyes in this style hence the addition of green.

If you haven't done so already, go and check out the Simon's Cat animated shorts at www.simonscat.com.

Shane S

Robot Dreams...

'Cause all robots dream of the apocalypse right?

 

Shane S

Robots...

I forgot how fun it was just to doodle a few bionic beings every now and then.

Toned paper and col-erase pencils are my new best friends.

Shane S

Rhinocerilla...

 

Another one hour speedy for my Studio's sketch group.  This week's topic was 'Hybrid creature', so this guy's meant to be a rhinoceros/gorilla mixture. 

Shane S

Little princess

Even a princess needs a babysitter...

The Bear Cave...

Having a lot of fun with lighting at the moment.

This is a banner image created for my studio sketch group, "The Bear Cave".  In keeping with the sketch group limitations this was painted in an hour.

A little tip, if you want a picture of a live bear use a camera - not a sketchbook.

Shane S

More...

Sad shiny Gnome...

 

Sad, shiny lost gnome.  I'm not sure why he's sad, maybe 'cause he has no feet.

Just a quick one for fun in photoshop.

Shane S

Painting in Painter - Schoolism.com course review...

This is going to be a long one so get comfortable...

Back in September I took a course on Schoolism.com.  Several months on I thought I’d revisit my experience and review the course for the benefit of anybody thinking about enrolling.  

Course: Painting in Painter (instructor lead)

Instructor:  

Ryan Wood

Length: 

9 weekly assignments

Aim of course: 

This is detailed on the course description on Schoolism.com website so I won’t go into it here, but the course title is pretty self-explanatory!

Course student level:  

I would say the instruction (and course in general) caters for intermediate users and above.  Ryan Wood doesn’t try to impress with too much artistic jargon or technical terms, so it’s easy to understand without needing a formal education in art.  Personally I can’t fault the instruction, but I am a professional artist so was already familiar with Painter and the instructional language used.  

If you’ve never touched a digital painting program before you might want to start out with something more simple, as the lessons do move at quite a pace with the assumption that you already know the basics of digital painting.

Course subjects:

Don’t let the specific course title discourage you from enrolling.  Even if you’re not that interested in Painter this course is a wealth of artistic information and techniques.  It covers everything from colour theory, lighting, composition and character design, all of which can be applied to any image, not just those created in Painter.  Of course these techniques are all demonstrated within the context of Painter but their potential application is universal.

I myself am still primarily a Photoshop user, but nearly every technique I learned on the course has been transferable to Adobe’s popular program.  I’m sure with CS5’s new wet brushes even Painter’s more painterly brushes can be emulated.

Instruction: 

Ryan wood is clearly an experienced and talented digital painter.  I’m not sure if he has any teaching experience prior to joining Schoolism.com, but from the quality and easy to follow structure the course takes, I assume he has.  Everything is demonstrated, clearly explained and presented with examples from well known painters for reference and inspiration.

Any queries I had were quickly answered by Ryan via a personal message using Schoolism’s robust message system.

Assignment difficulty: 

There’s no pass or fail with each assignment so it’s ultimately down to you to decide how much time and effort you put in, but, as I mention later on, there’s no point doing the course if you’re not going to push yourself.

Although there’s no pass or fail, each assignment is graded out of five stars.  I assume this grade is personal to you and does not take the ability of the other students on the course into account.

Critiques: 

The critique videos, usually between 10 and 15 minutes long, always resulted in vast improvements to my assignments.  

As with the instructional videos, every suggestion was demonstrated and then explained.  Most of the changes to my assignments focused on enhancing composition through the use of colour, lighting and structural tweaks and served to build on what I had already done.  

Changes were always constructive and meant to build on my own style rather than Ryan’s.  This always made me feel that I was in control of the image rather than just reworking it for the sake of someone else’s personal opinion.  

The critique videos seem to be recorded in the same quality as the lessons themselves (see below).

Quality of videos: 

Regarding image clarity and resolution, I was very impressed with the quality of the videos.  I watched them on a 19” 4:3 LCD monitor at 1280 x 1024 and they were crystal clear.  I guess they were recorded at this resolution as it looked like a screen grab from my own PC, it was that good!

I assume the voiceover was recorded with a standard PC headset/mic so don’t expect studio quality audio.  Nevertheless it was at a good volume level and very clear.

I had no problems streaming the videos and was able to watch without being interrupted by any ‘buffering’ stoppages.

The Schoolism interface: 

I worked in IT support for several years before becoming an artist, but it still took me a little while to get used to the schoolism interface as I didn’t find it very intuitive.  There were too many menus for my liking and the video playlist was a bit awkward to navigate.  I think displaying the user menus with the general website menus causes the confusion.  Once I got used to it it was functional but there’s definitely room for improvement.  

One major niggle for me, was that you can’t keep the video in fullscreen and work on your painting simultaneously, not even while working with a dual monitor setup.  The default video window is also quite small and can’t be resized, meaning you can’t see a lot of the video details without going full screen.  

This was very frustrating as I had to keep clicking back and forwards, often interrupting my working momentum.  Short of using two separate computers, I found the best way to work was to watch a section of the video, pause, work on my painting, then repeat.  

I believe this is a limitation of Flash rather than the Schoolism website, but for me it was less than ideal.

If the videos were downloadable I could have at least had them open in a large media player window while working.  

Value for money: 

There’s no getting away from it, $1000 is a lot of money in the current economy.  But in my opinion it’s more than worth it.  

I strongly believe that you get out what you put in, so unless you’re willing to push yourself artistically then I suggest you go elsewhere.  After all, unless the instructor is judging your best attempt at an assignment, what’s the point of a critique?  

If you’re not willing to push yourself and are only looking for some new techniques then maybe go for the self taught version instead.  It’s half the price but there are no critiques.

Maybe another incentive to opt for the full $1000 course would be the ability to download and keep the videos.  As it is you can only stream them during the course and for several weeks after, then they’re gone.  Even to have a copy of my personal critiques would have been nice.

Room for improvement: 

In my opinion several things could do with some thought;

• As I mentioned before, the Schoolism interface could do with some tweaking to make it more intuative.
• The ability to download and keep the videos would be a great addition.  I assume this isn’t an option due to piracey, but if the files were DRM protected maybe some sort of scheme where you’re given a code to download them from iTunes could work.
• If you put a lot of time and effort into each assignment then the pace of the course can be a bit relentless.  If you already work full time then expect your assignments to take up most of your spare time, and be prepared for some late nights if you have a family!  Because of this I feel there should be a break in the middle of the course.
• iPhone/iPad/iPod compatibility would have been awesome!

Conclusion:

I feel that my skills have definitely jumped up a level, and not just within digital painting.  My approach and execution to creating any image, both digital and traditional, is now much more advanced based on what I have learned.

Along with the assignments and videos it was also great networking with the other students and seeing their work and critiques (you can’t see their assignment grades though!).  There were some very talented artists learning alongside me which, rather than discourage me, actually spurred me on to put even more effort into each painting.

I’ve also got at least four new portfolio pieces, and created this blog as a means to show my progress - all thanks to the motivation instilled by Schoolism.

In summary, I highly recommend this course and hope to take another schoolism class in the future, specifically Sam Neilson’s advanced lighting.  

If you’d like to view my assignments just check the previous posts on this blog or go to the class blog where I’ve posted each assignment along with a short description of the lesson.

Oh yeah, this review wasn’t endorsed or funded by Schoolism.com in any way, the banner at the top is there simply to provide a link for anyone interested in checking out Schoolism.com.

Shane S